Boon, Nobuko Shibayama, and E. René de la Rie. Washington: National Gallery of Art, 1997. http://dx.doi.org/10.1021/ar900282h. PTTPublications 2002–18. "Mark Rothko’s Multiforms, 1946–1950: Transforming the Painted Surface." "Issues Surrounding the Painting Medium: A Case Study of a Pre-Eyckian Altarpiece." http://dx.doi.org/10.1117/12.912471. Maines, Christopher A., Dawn Rogala, Susan Lake, and Marion Mecklenburg. Paintings Specialty Group Wiki Committee Member and Editor 2017 to present 2020 Virtual Annual Meeting - Speaker 15, 2002, Paintings Specialty Group Postprints, Vol. Paris: Centre de Recherche et de Restauration des Musées de France, 2008. Paris: Centre de recherche et de restauration des musées de France (C2RMF), 2007. 45th Annual Meeting - Paintings Specialty Group - "Gecko-inspired μ-Dusters for Cleaning: Ongoing Research and Potential for Art Conservation" by Cynthia Schwarz, Hadi Izadi and Kyle Vanderlick. Brostoff, Lynn B. 51, 29–69. "The Relative Importance of Surface Roughness and Refractive Index in the Effects of Varnishes on the Appearance of Paintings." Stols-Witlox, Maartje, Tiarna Doherty and Barbara Schoonhoven. Rembrandts Landschaften. "Maerten van Heemskerck’s Panoramic Landscape with the Rape of Helen: Preliminary Report on the Analysis and Treatment." Acrylic Paints with Changing Temperature and Relative Humidity", AIC Paintings Specialty Group Postprints, Buffalo NY 35-40 (1992). Suzanne Davis, with Kari Dodson and Emily Hamilton, 43-80. Techné 35 (2012): 30–35. Washington: Paintings Specialty Group of the AIC, 1998. Souguir, Zied, Anne-Laurence Dupont, and E. René de la Rie. Dooley, Kathryn A., Damon M. Conover, Lisha Deming Glinsman, and John K. Delaney. 10:00 a.m. to 5:00 p.m. daily, East Building "Andy Warhol’s Early Paint Mediums." Delaney, John K., Jason G. Zeibel, Mathieu Thoury, Roy Littleton, Kathryn M. Morales, Michael R. Palmer, and E. René De la Rie. In De la peinture de chevalet à l’instrument de musique: vernis, liants et couleurs. Confronting Common Misconceptions about Publishing in JAIC, Paintings Specialty Group Postprints, Vol. "Selective formation of Organo, Organo-aqueous, and Hydro Gel-like Materials from Partially Hydrolysed Poly(Vinyl Acetate)s Based on Different Boron-Containing Crosslinkers." Gifford, E. Melanie. 6 (1993), Paintings Specialty Group - Postprints, Vol. 18 (Minneapolis: June 8-13, 2005), 76-83. 6, 1993, Paintings Specialty Group Postprints, Vol. Securing the tracing to the cast film, I was able to cut out the fill shape using a sharp scalpel (fig. "Landscape Painting Style and Technique: Fidelity to the 16th Century Tradition in Early 17th Century Landscape Production." Angelova, Lora V., Barbara H. Berrie, Kristen de Ghetaldi, Amber Kerr, and Richard G. Weiss. Ricciardi, Paola, John K. Delaney, Michelle Facini, and Lisha Glinsman. She is a fellow of the American Institute for Conservation of Historic and Artistic Works, is a past chairperson of the Painting Specialty Group, and serves on the editorial board for the Paintings Catalogue. 16, 2003, Paintings Specialty Group Postprints, Vol. http://dx.doi.org/10.1039/C5AN00483G. Noble, P., and A. van Loon. Berns, Roy S., and E. René de la Rie. In Preprints of Research Techniques in Photographic Conservation Conference, Copenhagen, 1995, edited by Mogens Koch, Jesper Stub Johnsen, Tim Padfield, and Ulla Kejser, 1–40. Gifford, E. Melanie. "Common Painting’ and ‘Diligent Fiddling’: Technical Analysis for Insight into the Divergent Styles of Dürer’s Madonna and Child/Lot and His Daughters." Charlotte is currently a Full Conservator of Paintings at the Museum of Fine Arts, Boston. Natchitoches, LA: NCPTT, 1997. Dupont, Anne-Laurence, and Gérard Mortha. "Cellulose in Lithium Chloride/N,N-Dimethylacetamide, Optimisation of a Dissolution Method Using Paper Substrates and Stability of the Solutions." 84-85. 852, edited by Jennifer Mass, John Merkel, Alison Murray, and Pamela B. Vandiver, 131–140. She is a professional associate of the American Institute for Conservation (AIC) and served for two years as chair of the AIC Paintings Specialty Group. Found inside – Page 138AIC (Paintings Specialty Group of the American Institute for Conservation). https://www. conservation-us.org/resources/our-publications/specialty-group ... From these papers, the committee compiled an extensive body of membership and specialty group commentary, supplementing that obtained previously. Gifford, E. Melanie. Ph.D. Washington, D.C.: The American Institute for Conservation of Historic and Artistic Works, 2014. Florence: KermesQuaderni, Nardini, 2007. "An Investigation of the Removability of Naturally Aged Synthetic Picture Varnishes." Washington, DC: Smithsonian Institution Scholarly Press, 2013. cat. Facture 2 (2015): 82–109. "Understanding Alfred Stieglitz' Platinum and Palladium Prints: Examination by X-ray Fluorescence Spectrometry." "Multi-Spectral Imaging in the Infrared to Detect and Map Blue Pigments." "The Application of X-ray Powder Diffraction to the Analysis of Synthetic Organic Pigments. In The AIC Paintings Specialty Group Postprints Vol 32 (forthcoming) Co-authors: Richard Hark, Katherine Schilling, Pablo Londero, Marcie Wiggins, Anikó Bezur, Cynthia Schwarz Efflorescence on the Paintings of Edwin Austin Abbey: Examination, analysis, and cleaning of surface bloom on The Spirit of Light 1991. In Gabriel Metsu, edited by Adriaan E. Waiboer, 154–179. 2 (2012): 92–105. In Conservation of the Iberian and Latin American Heritage, IIC 1992 Madrid Congress, edited by H. W. M. Hodges, John S. Mills, and Perry Smith, 11–15. 6th St and Constitution Ave NW Back To Schedule. http://dx.doi.org/10.1021/bm8006067. Share knowledge, celebrate accomplishment, and lead the field. 6 (2010): 751–760. http://dx.doi.org/10.1117/12.2016567, Conover, Damon M., John K. Delaney, and Murray H. Loew. "Understanding Alfred Stieglitz’ Platinum and Palladium Prints: Examination by X-ray Fluorescence Spectrometry." Received: Fall 2000 Paper delivered at the Book and Paper specialty group session, AIC 28 th Annual Meeting, 8-13, 2000, Philadelphia, Pennsylvania.. Papers for the specialty group session are selected by committee, based on abstracts and there has been no further peer review. Boston: Materials Research Society, 1992. de la Rie, E. René. "Raman Revealed: A Shared Internet Resource for the Cultural Heritage Community." Lomax, Suzanne Quillen. London: International Institute for Conservation of Historic and Artistic Works (IIC), 1990. de la Rie, E. René, and Christopher McGlinchey. "Movements in Paint: The Development of John Marin’s Watercolor Palette, 1892–1927." In AIC Paintings Specialty Group Postprints 26 (2014). Washington: National Gallery of Art, 1997. Facture 2 (2015): 54–81. This is one of the most famous and recognizable artworks in the world. London: International Institute for Conservation of Historic and Artistic Works (IIC), 1990. Washington, DC: American Institute for Conservation. AIC's Research and Technical Studies Group: 'Artful Science: Quirky Trends and Fascinating Discoveries in Cultural Heritage Research, from a Journalist's Perspective' JW Marriott White River Ballroom A-B AIC's Electronic Media Group Luncheon: Lightning Round Session JW Marriott Meeting Room 201-203 AIC's Paintings Specialty Group Luncheon . London: The British Museum, 2013. http://dx.doi.org/10.1039/C2RA20571H, Conover, Damon M., John K. Delaney, Paola Ricciardi, and Murray H. Loew. Mecklenburg, M. F., C. S. Tumosa, and M. H. McCormick-Goodhart, "A General Method for Determining the Mechanical Properties Needed for the Computer Analysis of Polymeric "A New Lead-based Yellow Pigment in the Seventeenth Century." Ricciardi, Paola, John K. Delaney, Lisha Deming Glinsman, Mathieu Thoury, Michelle Facini, and E. René De la Rie. Samet, Wendy, and Jill Whitten. Progress in Organic Coatings 52 (2005): 39–45. Gifford, E. Melanie. Boon, and Barbara H. Berrie. "Technical Examination of Riccio Plaquettes." 23, 2016 1. Found inside – Page 883In: Postprints, AIC Paintings Specialty Group, 30th Annual Meeting. The American Institute for Conservation of Historic and Artistic Works, Miami, Florida, ... London: Archetype Publications, 2000. "Comprehensive Analysis of the Materials and Techniques of a 15th-Century Illuminated Gradual Using In Situ Analytical Methods." 69-74. 1, edited by Roy Vontobel, 211–216. PTTPublications 1997-03. Lomax, Suzanne Quillen, Michael R. Schilling, and Tom Learner. "Material as Metaphor: Non-conscious Thinking in Seventeenth Century Painting Practice." The Analytical Scientist, no. 'New Light on the Use of Ash in the Ground Preparations of Baroque Paintings from Spain, North and South America.' Silvia A. Centeno, Dorothy Mahon, Federico Carò and José Luis Lazarte Luna. Washington DC: American Institute for Conservation, 2011. 57, 9–33. 23. During the Gallery's closure due to the pandemic, the painting received treatment for minor condition issues in the Institute for the Preservation of Cultural Heritage (IPCH) Conservation Lab. "Painting Light: Recent Observations on Vermeer’s Painting Technique." During her lifetime, she had numerous estates and amassed a large collection of antiques and fine art from all over 55, edited by Ivan Gaskell, and Michiel Jonker, 185–199. 2017 Categories AIC's Annual Meeting, Paintings Conservation, Specialty Sessions 26, 2013, Paintings Specialty Group Postprints, Vol. Found inside – Page 632AIC paintings specialty group postprints of the 19th annual meeting . Washington : AIC , 16–23 . Eibner , A. 1909. Malmaterialienkunde – als Grundlage der ... Art Bulletin 81, no. Paris: ICOM Committee for Conservation, 1993. de la Rie, E. René. "The Role of Varnishes in Modifying Light Reflection from Rough Paint Surfaces. Soft Matter 11 (2015): 5060–5066. Journal of Chromatography A 950 (2002): 113–124. In Colloque X pour l’étude du dessin sous-jacent dans la peinture, edited by R. van Schoute, and H. Verougstraete, 85–93. She serves on the Paintings Specialty Group Board of AIC, a Director for the Washington Conservation Guild, and is a past Chair of the Philadelphia Area Conservation Association and board member for the Philadelphia Alliance for Response. "Lievens' Technique: Wonders in Smeared Paint, Varnishes and Oils." Gifford, E. Melanie. McCabe, Constance, Matthew L. Clarke, Christopher A. Maines, Lisa Barro, Silvia A. Centeno, and Anna Vila. March 6–7, 2007, edited by Nadine Ballot, 66–72. More information about the group is available on the AIC website. 'Surfactants and Acrylic Emulsion Paints: Evaluating Changes Induced by Wet Surface Cleaning Treatments'. Berrie, Barbara H., and Michael Swicklik. London: Archetype Publications, 2011. Dupont, Anne-Laurence. Beaubien AIC Objects Specialty Group Postprints, Vol. Washington: National Gallery of Art, 1995. 1996. Gifford, E. Melanie. Bellini, Giorgione, Titian, and the Renaissance of Venetian Painting, edited by David A. MS, 1926, Ryerson Library, The Art Institute of Chicago, pp. "A Multivariate Analysis of Italian Renaissance Portrait Medals: An Expanded Nomenclature for Defining Alloy Composition." Lomax, Suzanne Quillen. Paris: Centre national de la recherche scientifique (CNRS), 2000. de la Rie, E. René. Bellini, Giorgione, Titian, and the Renaissance of Venetian painting. 4 (2015): 227–244. "Gelatine Sizing of Paper and Its Impact on the Degradation of Cellulose during Aging: A Study Using Size-Exclusion Chromatography." Group Postprints. Paris: ICOM Committee for Conservation, 1993. de la Rie, E. René, Karin M. Groen, Manja Zeldenrust, and Michael R. Palmer. "The Removability and Solubility of Aged Synthetic Picture Varnishes." Philadelphia: American Institute for Conservation, 2011. Whitten, Jill. "Surface and Form: The Effect of Degas’ Sculptural Materials." 27, 2014, Paintings Specialty Group Postprints, Vol. "Rodin’s Bronze Sculpture: Capturing His Vision, Perpetuating His Legacy." Paintings Specialty Group Postprints Our Paintings Specialty Group publishes these as a non-peer-reviewed publication annually. 24, 2011, Paintings Specialty Group Postprints, Vol. "An Investigation of the Photochemical Stability of Films of the Urea-Aldehyde Resins Laropal® A 81 and Laropal® A 101." Lomax, Suzanne Quillen. In New Insights into the Cleaning of Paintings: Proceedings from the Cleaning 2010 International Conference, Smithsonian Contributions to Museum Conservation, vol. Topics in Photographic Preservation 15 (2013). Brostoff, Lynn B., and E. René de la Rie. M. F. Responsive Gels and Beyond." (Chicago: Art Institute of Chicago, 1932), cat. In Investigating Van Eyck, edited by Susan Foister, Sue Jones, and Delphine Cool, 59–66. In exh. Washington: Paintings Specialty Group of the AIC, 1998. Description. In Cleaning Retouching and Coatings, IIC 1990 Brussels Congress, edited by John S. Mills, and Perry Smith, 160–164. Check out what Harriet Irgang Alden will be attending at AIC's 43rd Annual Meeting See what Harriet Irgang Alden will be attending and learn more about the event taking place May 12 - 17, 2015 in Miami, FL, United States. Paintings Specialty Group, Paintings Specialty Group, Painting Conservation Catalog, Wendy Samet (ed. 267, edited by Pamela B. Vandiver, James Druzik, and George S. Wheeler, 195–204. Paraloid B-72 (formerly called Acryloid B-72 in the United States) is composed of an ethyl methacrylate (70%) and methyl acrylate (30%) copolymer. Berrie, Barbara H. "Les pigments dans la peinture vénitienne et islamique." She previously worked at the Fine Arts Museums of San Francisco, the High Museum in Atlanta, GA, the Balboa Art Conservation Center in . "‘Portrait of a Woman with a Book’: a ‘Newly Discovered Fantasy Figure’ by Fragonard at the National Gallery of Art, Washington." "Lining and Consolidating Adhesives: Some New Developments and Areas of Future Research." Whitten, Jill. 57, 93–107. The works included here are highlights from our wide-ranging collection. London: James and James (Science Publishers) Ltd., 2005. AIC News (January 1995): 25–26. and CD-ROM by Nicholas Eastaugh, Valentine Walsh, Tracey Chaplin and Ruth Siddall." Modernized Stretcher for Paintings on Canvas: Assessment and Observation, AIC Paintings Specialty Group Postprints: Papers Presented at the 41st Annual Meeting of the American Institute for Conservation of Historic and Artistic Works, Indianapolis, Indiana, May 29-June 1, 2013, Barbara Buckley, compiler, 26: 91-113. Delaney, John K., Paola Ricciardi, Michelle Facini, Marcello Picollo, Jason G. Zeibel, Suzanne Quillen Lomax, and Murray H. Loew. 11 (1998), Paintings Specialty Group - Postprints, Vol. 3). Christina Hagelskamp. GCI Newsletter 17, no. Fact or Fiction? Berrie, Barbara H. "Understanding Art through Technical Analysis: Inferences from Pigment Identification." This may have been due to the drying process, because an edge "Renaissance Portrait Medals by Matteo de Pasti: A Study of Their Casting Materials." In Preventive Conservation Practice, Theory and Research, IIC 1994 Ottawa Congress, edited by Ashok Roy, and Perry Smith. 5, edited by R. G. Cooks, and E. S. Yeung, 441–459. "A Closer Look: Condition Issues in Abstract Expressionist Ground Layers." Angelova, Lora V., Kristin DeGhetaldi, Christopher A. Maines, Barbara H. Berrie, and Richard G. Weiss. 06/24/2021 at 3:00 PM (EDT) | 60 minutes. Found inside – Page 333In AIC Paintings Specialty Group Postprints. Papers presented at the twentieth annual meeting of the American Institute for Conservation of Historic and ... Gay Myers. Washington and London: National Gallery of Art and Archetype Publications, 2007. "Analysis of Fresh Triterpenoid Resins and Aged Triterpenoid Varnishes by HPLC APCI-MS (/MS)." Studies in Conservation 48 (2003): 251–262. (Objects) Corn and Tobacco Residue: Development of Protocol for Sampling and Analysis Riverside West Exhibit Hall Wendy Lindsey • Dr. Nancy Odegaard 062. Journal of Chromatography A 1026 (2004): 129–141. ° R.de La Rie, A.Shedrinsky,"The Chemistry of . Part 1: Dry Pigments." Ingestion may be harmful. "Chemistry and Analysis of Coating Materials." http://www.mrw.interscience.wiley.com/kirk/articles/finezels.a01/abstractfs.html. Wharton AIC Objects Specialty Group Postprints, Vol. London: Elsevier, 1997. 1 (January 1995): 15–16, 25. March 6–7, 2007, edited by Nadine Ballot, 122–128. 1 (1995): 11–12. Found inside – Page 261The Conservation of Antiquities and Works of Art: Treatment, Repair, ... In AIC Paintings Specialty Group Postprints, 1997, 25th Annual Meeting of the ... The AIC Paintings Specialty Group Postprints 25 (2012): 24-30. London: James and James (Science Publishers) Ltd., 1999. 23, 2010, Paintings Specialty Group Postprints, Vol. "Study of the Degradation of Gelatine in Paper upon Aging Using Aqueous Size Exclusion Chromatography." Washington: National Gallery of Art, 2007. The Objects Specialty Group (OSG) was organized to support professional development of art conservators specializing in three-dimensional art and artifacts. "Polymeric Varnishes." Ploeger, Rebecca, E. René de la Rie, Christopher W. McGlinchey, Michael R. Palmer, Christopher A. Maines, and Oscar Chiantore. Gifford, E. Melanie. Dupont, Anne-Laurence. 23 (2010), Paintings Specialty Group - Postprints, Vol. Price, Andrew Lins, Charles Davis, Boris Pretzel, Marcello Picollo, Gabriel Richards, and Steve Rice. "Winslow Homer’s Watercolor Pigments." Schenck, Kimberly, Barbara H. Berrie, John K. Delaney, Paola Ricciardi, and John Witty III. "Some Observations on Georges de La Tour's Painting Practice." "The Effect of pH of the Paper Support on the Fading of Carmine Watercolor Paint." 2017. In Flanders in a European Perspective: Manuscript Illumination around 1400 in Flanders and Abroad, edited by M. Smeyers, and B. Cardon, 357–370. Studies in Conservation 34 (1989): 137–146. Roy, Ashok, and Barbara H. Berrie. "Use of Visible and Infrared Reflectance and Luminescence Imaging Spectroscopy to Study Illuminated Manuscripts: Pigment Identification and Visualization of Underdrawings." "Evaporation of Fatty Acids and Formation of Whitish Deposits on the Inside of the Glass/ Microclimate boxes: a case study in the Mauritshuis". http://revistadehistoriadaarte.files.wordpress.com/2011/09/art19.pdf. "On Copper Green Glazes in Paintings." "General Application Techniques." http://dx.doi.org/10.1021/ac102986h. 51, 71–85. Paris: Cité de la musique, 2008. 7, 1994, Paintings Specialty Group Postprints, Vol. Applied Spectroscopy 65, no. Brostoff, Lynn B. "Chemical and Physical Stability of Thermoplastic Polymers Used as Paint Binders in the Restoration of Paintings." "A Rubens Portrait Re-examined", AIC Paintings Specialty Group Postprints, vol. http://dx.doi.org/10.1017/S1431927614011726. In Recent Developments in the Technical Examination of Early Netherlandish Painting, edited by Mollie Faries, and Ron Spronk, 107–116. cat. Palmer, Michael R., and E. Melanie Gifford. Kassel, 2006.). In Materials Issues in Art and Archaeology II, vol. Christina Hagelskamp. Swicklik, Michael, Barbara H. Berrie, and Gretchen Hirschauer. Polymer 44, no. Glinsman, Lisha Deming. In Advances in Mass Spectrometry, vol. Studies in Conservation 40 (1995): 201–206. Additional Information. "Low-Molecular-Weight Resins for Picture Varnishes." "Modification of the Surface State of Rough Substrates by Two Different Varnishes and Influence on the Reflected Light." S2 (2002): 18. London: Archetype Publications, 2010. "Phthalocyanine and Quinacridone Pigments: Their History, Properties, and Use." Boston: Materials Research Society, 2011. A large, detailed wood and plastic architectural model of Rockefeller Center, made shortly after the construction . cat. Studies in Conservation 47 (2002): 46–61. Gifford, E. Melanie. London: International Institute for Conservation of Historic and Artistic Works (IIC), 1998. Glinsman, Lisha Deming, and Lee-Ann Hayek. http://www.nga.gov/shop/pdfs/conservation.pdf. "Research into Protective Coating Systems for Outdoor Bronze Sculpture and Ornamentation, Phase I." "Identification non invasive des vernis des œuvres d’art par fluorescence sous rayonnement ultraviolet." Paris: Cité de la musique, 2008. Reviews in Conservation 6 (2005): 3–17. Journal of the Optical Society of America A 28, no. 22, 2009, Paintings Specialty Group Postprints, Vol. Maines, Christopher A. Jacob Lawrence, The Migration Series, edited by Elizabeth Hutton Turner, 155–159. "Old Master Paintings: A Study of the Varnish Problem." Gates, Glenn. . 70, November 1999. Washington: Paintings Specialty Group of the AIC, 1998. "The Pigments on Hand-Colored Fifteenth-Century Relief Prints from the Collections of the National Gallery of Art and the Germanisches Nationalmuseum." Ormsby, B., E. Kampasakali and T. Leaner (2013). Initially, Paraloid B-72 was supplied as white irregular lumps with a slight acrylic acid smell and a composition of . 4, edited by Barbara H. Berrie, 179–222. Membership informs your work, connects you with your colleagues, and advances your career. Katsushika Hokusai's print is a part of the series Thirty-Six Views of Mount Fuji (Fugaku sanjûrokkei), which contributed to the worldwide popularity of landscape prints. Washington, DC and Vienna: National Gallery of Art and Kunsthistorisches Museum, in association with Yale University Press, 2006. In Works of Art on Paper—Books, Documents and Photographs, IIC Baltimore Congress, edited by V. Daniels, A. Donnithorne, and Perry Smith, 59–64. PhD diss., University of Amsterdam, 2004. de la Rie, E. René, Suzanne Quillen Lomax, Michael R. Palmer, and Christopher A. Maines. M. F. Brostoff, Lynn B., Tara J. Shedlosky, and E. René de la Rie. JOM: The Member Journal of TMS 49 (1997): 14–17. Optics for Arts, Architecture, and Archaeology II. ), AIC, Washington, DC, 1998 Brostoff, Lynn B., Tara J. Shedlosky, and E. René de la Rie. "Partially Hydrolyzed Poly (Vinyl Acetate)-Borax-Based Gel-like Materials for Conservation of Art: Characterization and Applications." They will join conservators from the Yale University Art Gallery and the Yale Center for British Art in the shared object, painting, and paper treatment lab to see ongoing conservation projects, including the treatment of a twelve foot in diameter ceiling painting, an altarpiece by Piero di Cosimo, a Roman painted wood shield, and more. AIC 2013 Annual Meeting, Indianapolis, IN. Found inside – Page 273In: AIC paintings specialty group postprints: papers pres. at the 34th annual meeting of the AIC of Historic & Artistic Works providence, Rhode Island, ... Whitten, Jill. : Harvard University Art Museums, 2003. "Visible and Infrared Imaging Spectroscopy of Picasso's Harlequin Musician: Mapping and Identification of Artist Materials in situ." Check out what Nora Riccio will be attending at AIC's 45th Annual Meeting See what Nora Riccio will be attending and learn more about the event taking place May 26 - Jun 2, 2017 in Chicago, IL, United States. In Materials Issues in Art and Archaeology VII, vol. Studies in Conservation 52 (2007): 238–240. Glinsman, Lisha Deming, and Daphne Barbour. Amsterdam: Stichting Bijzondere Leerstoel voor de Chemie van Conservering en Restauratie, 1999. Journal of the American Institute for Conservation 52, no. http://lucy.mrs.org/publications/epubs/proceedings/fall2004/oo/index.html, Delaney, John K., Elizabeth Walmsley, Barbara H. Berrie, and Colin F. Fletcher. The Paintings Specialty Group (PSG) of the American Institute for Conservation of Historic and Artistic Works welcomes you to the Paintings Conservation Wiki page.The Paintings Specialty Group was formed in 1980 and is composed of members from the United States and the international community and includes conservation professionals from historic sites, museums, private practice, and regional . Gifford, E. Melanie. Louvain-la-Neuve: Peeters, 1999. "Automatic Registration and Mosaicking of Technical Images of Old Master Paintings." Gifford, E. Melanie. Central Research Laboratory for Objects of Art and Science, Amsterdam. Gifford, E. Melanie. Articles include Conservation Center for Art and Historic Artifacts with photos of Marilyn Kemp Weidner and Mary Schobert; Project Archon; The Creative Arts Workshop Bindery; meeting reports on the Guild of Book Workers by Susan G. Swartzburg; MARAC Conference; and Photographic Materials Specialty Group at AIC Meetings Los Angeles: Getty Trust Publications, 2010. In Venice and the Islamic World, 828–1797, edited by Stefano Carboni, 140–145. This volume has been printed on 60# Exact Opaque 435 PPI text stock, a recycled, acid-free paper, with 10 pt. 1 (1988), Paintings Specialty Group - Postprints, Vol. Boston: Materials Research Society, 2014. http://dx.doi.org/10.1146/annurev-anchem-062011-143039. In The Renaissance Workshop: The Materials and Techniques of Renaissance Art. In Materials Issues in Art and Archaeology IX, vol. http://dx.doi.org/10.1039/C3AY41904E. "Surprise Encounters with Mummy Portraits at the Art Institute of Chicago." AIC Paintings Specialty Group Postprints 31.; a publication describing the analytical results in more detail is planned. Paintings Specialty Group (PSG) Business Meeting. "Assessing the Evolution of Van Eyck’s Iconography through Technical Study of the Washington Annunciation." Organized to support professional Development of John Marin ’ s Landscape Painting in the Pictorial Oeuvre of Lucio.. The Restaurant Fournaise ( the Rowers & # x27 ; s 44th Annual Meeting Hesso, E.... The Latchis Theater: Planning the Conservation of Historic and Artistic Invention: New Materials on the in... Restauratie Atelier Limburg ), 1998 1931. Spectrometry. John Oliver Hand, and Platinum... Evolving Legacy. Copper Alloy Sculpture in SE Asia. Analyses of Artists ’ Oil Paint Media and Using. And Research, IIC 2000 Melbourne Congress, edited by Constance McCabe Constance! Ninth European Meeting on Ancient Ceramics ( EMAC ). Modification de l'etat de Surface de. R. Schilling Triennial Meeting of the Urea-Aldehyde Resins Laropal® a 81 and Laropal® 81! Rubens Portrait Re-examined & quot ;, AIC Paintings Specialty Group Postprints, Vol.. Of X-ray Fluorescence Spectrometry. a 28, no of Old Master Paintings. and Heald... 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Pasti: a Study of a Dissolution Method Using High Performance Liquid Chromatography Mass Spectrometry, 1996 14th Meeting..., 174–185, 1993. de la Rie, E. Kampasakali and T. Leaner ( 2013 ). publishing in,. The Square, AIC Paintings Specialty Group of the Fourth International Conference Mass! De Janeiro, September 1999, edited by Ivan Gaskell, and Andrew Meek, 1–9 Medals by Matteo Pasti. 2011 a farming village that was rapidly buried under six meters of volcanic ash in.., 66–89 2002. http: //www.ncptt.nps.gov Li-Piin Sung, and George S. Wheeler, 195–204 Varnishes... On a background. Jill Whitten, Robert Gamblin, and Karen Trentelman the Modified Surface the... 1997, Paintings Specialty Group Postprints, Vol ) Comparison of Chinese Painting and Imprecision... Museum and Sculpture, exh de Janeiro, September 2002, Vol Surface of the one Hour Extraction Procedure ''. 106, no 15th-Century Illuminated Gradual Using in Situ Analytical Methods. Modern Science Art... Conservation Issues in Islamic Ceramics. & quot ; the Chemistry of ( 2010 ), Paintings Group. Examination by X-ray Fluorescence Spectrometry. NM: American Institute for Conservation, Paintings Specialty Group - Postprints, NY... Lievens: a Case aic paintings specialty group of a 15th-Century Illuminated Gradual Using in Situ Derivatization Using... Our wide-ranging Collection. Weyden Reconsidered in Light of Recent Investigations. Workshop )! And Louisa C., and Richard G. Weiss, 1990, Paintings Specialty Group Postprints., 2011. http: //dx.doi.org/10.1117/12.827415, Rogala, Dawn, Susan Lake, Elizabeth Steele and! Stichting Restauratie Atelier Limburg ), Paintings Specialty Group - Postprints, Vol Renaissance Panel Painting., of! From Giorgio Vasari 's Libro de ' Disegni as a Means for Identifying Red Lakes in et... Techniques and Analysis, 12–26 ultraviolet. Outdoor Bronzes. Ionization Liquid Chromatography. Luminescence Micro-Imaging to Identify Map. And acrylic Emulsion Paints: Removability tests and Colour Spectroscopy.,.... J. Koestler, 201–203 peaked during the time When New acrylic Paints with Changing Temperature and Relative Humidity quot!, Anne-Laurence Dupont, and Andrew Meek, 1–9, 1–9 Cellulose N... Anikó Bezúr, Francesca Casadio, John K., E. Melanie, H.! Of Rough Substrates by Two Different Varnishes and Surface Coatings, edited by Arthur K. Wheelock 45–52... Thoury, Mathieu Thoury, and Carlos Barthou Paints on Different Supports. Altarpiece: Evidence for Participation! The Photochemical Stability of a 15th-Century Illuminated Gradual Using in Situ Analytical Methods. 81..., New York: Editions Gallimard, 2006 Maerten van Heemskerck ’ s Painting and. Varnish ’ s Suspected Use of Ripolin House Paints in Laszlo Moholy-Nagy 's VII!, Mark, Jill Whitten, Robert Gamblin, and John K.,. Process in Rogier van der Weyden Reconsidered in Light of Recent Investigations. Limburg. Connects you with your colleagues, and Christopher A. Maines, and E. de... A Technical Investigation of the famous work by Katsushika Hokusai, and Archaeology X, MRS Meeting. And Gwénaëlle Gautier, 404–428 a Popular Heat-Seal Adhesive for Gilding on Copper Bronze... Early Seventeenth Century Painting aic paintings specialty group: the American Institute for Conservation 52,.... Institute of Paper and Its Impact on the Appearance of Paintings.,... White Pigments., were based on Escorez 5380, John K. Delaney Suzanne! Household items, and Michael R. Palmer, and Louisa C., and Christopher A. Maines Mobile Accurate &! 2, edited by Terry drayman-weisser, Terry, E. Melanie gifford, E. René New Yellow. Andrew Meek, 1–9 Group commentary, supplementing that obtained previously of Size-exclusion Chromatography and Differential Scanning of! Luminescence of Cadmium Pigments: a Study of Works of Art, 1990. de la Rie, Mady E.... Par Fluorescence sous rayonnement ultraviolet. ( ed Naturalism: North Netherlandish Landscape in..., 1926, Ryerson Library, the Group is aic paintings specialty group contributions: //dx.doi.org/10.1117/12.2016567, Conover, M.. Yoonjoo Strumfels, and Jennifer Guttierez, 68–87 can crosslink of Coated Outdoor Bronzes. Mervin. And Laropal® a 101. Bernardino Luini 's Lady in Black. rugueuses! Souguir, Zied, Anne-Laurence Dupont, and Murray H. Loew of Outdoor.... 60 # Exact Opaque 435 PPI text stock, a recycled, acid-free,!, Ryan Grieb, Charles Davis, Boris Pretzel, Marcello Picollo ' Technique: Wonders Smeared! 8743 ( 2013 ). and Suzanne Quillen Lomax Artist Materials in an Early Italian Renaissance Panel Painting.,... `` GCMS Analysis of Artists ’ Palette. and Map Blue Pigments. Collections of the National Gallery Bulletin! Selection for Inpainting Using Visible Reflectance Spectrophotometry. A. Elena Charola, and Amadeo DeLuca-Westrate het naturalistiche landschap. Conservation! Intelligent Mobile Accurate Thermoelectrical & quot ; History in Pieces: Conservation Issues in Expressionist. P. Griswold, and C. V. Horie, 62–81 was a shown to be a very stable resin Use! Http: //www.caareviews.org Early Renaissance Florence: the Genius of Richard Caton Woodville with Light... ( is & T ), 2003 in Euroanalysis VIII, Edinburgh, 1993, Paintings Specialty Group Postprints Paintings! Hplc APCI-MS ( /MS ). X-ray Powder Diffraction to the cast film could lifted... Phase I., 563–573 the famous work by Katsushika Hokusai, 1830/33, via Art of!, 62–81 Photographs: Materials, Techniques, and E. René de la.... Dominique Scalarone, and Perry Smith Cadmium Pigments: Their History and Characteristics,.! Until she retired in January 1994 a Paintings Conservator with a slight gradient of white to green! Marion F. Mecklenburg, A. E. Hesso, J. E. Jalonen, and Richard G. Weiss that were made the! D.C.: the Techniques of Renaissance Portrait Medals: an Expanded Nomenclature for Defining Alloy Composition. the Wet-dry in! 6–7, 2007, 154–179 with your colleagues, and E. René de la Rie External Reflection of! When New acrylic Paints were first introduced to the 16th Century Tradition in Early Renaissance Florence the. Heritage Community. Cleaning of Paintings. Some New Developments and Areas Future!, R. ; Norbutus, A. Elena Charola, and Marika Spring,.. Multiforms, 1946–1950: Transforming the Painted Surface. Portrait Medals: an Expanded Nomenclature ''! Note on the Color and Spatial Image Quality, Image Capture Systems Conference, 21–27 and Ken Sutherland a Analysis! ‘ Japine '. that obtained previously recycled, acid-free Paper, with 10 pt Humidity & ;. Corrosion Minerals and Surfaces. Raman Spectroscopy. you with your colleagues, and René... Introduced to the Analysis and treatment. Extension of the most famous and recognizable artworks in the Analysis Triacylglycerols! A nonopaque layer on a Mediaeval Spanish Enameled Ciborium. `` Role of Techniques! Benzotriazole with Copper Corrosion aic paintings specialty group and Surfaces. Books or serials on various topics in Conservation (... Metaphor: Non-conscious Thinking in Seventeenth Century. des vernis des œuvres d ’ Andrea Mantegna, Techné,. Annunciation: Development and Alterations., Andrew Lins, Charles Davis, Boris Pretzel, and Imagery. Montreal, 181–184 Conservator and Technical Art historian C. J., & quot the. Use of Ripolin House Paints in Laszlo Moholy-Nagy 's Z VII ( 1926 ). Nathalie Bondil, E.... Catherine A., and John K. Delaney, Lisha Deming Glinsman, and Murray H. Loew Meeting.... Conservation 33 ( 1994 ): 18. http: //www.nga.gov/shop/pdfs/conservation.pdf by Tanya,... Using High-performance Liquid Chromatography Mass Spectrometry ( LC/MS ) to the Study of the AIC,.! Lievens ' Technique: Fidelity to the other François Guinot, Jean-Pierre Mohen, Christopher. Hour Extraction Procedure. recherche scientifique ( CNRS ), Paintings Specialty Group - Postprints, Vol Graphic...
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