She smiled and said "Good hunting… mommy". Liang walked to the balcony, with Hay-Lin holding his hand. With Elaine Tan, Matthew Yang King, Gwendoline Yeo, Maddox Henry.

Adult Yan - Elaine Tan Good Hunting. Characters Edit. Yan gracefully leaps across the industrial city before cornering three men preparing to sexually assault a young woman. Yan is met for the first time by Liang while he and his father are trying to hunt down and kill Tsiao-Jung, Yan's mother.She talks with Liang for a while and stated that a human can love a Huli Jing without magic. Yan licked Liang's face and jumped high from one tall building to the next. Hay-Lin watched her going and was fascinated how much a Huli Jing could do. Unusual Euphemism: "Bewitching men for money" Unwilling Roboticisation: Yan is forcibly converted into a cyborg by the machine-obsessed governor.

The son of a spirit hunter forges a bond with a shape-shifting huli jing.

Yan is a beautiful Huli Jing, who has the ability to transform into a fox at will.She forms a close bond with Liang and serves as the deuteragonist of 'Good Hunting'.. Liang wishes Yan "good hunting" and they part ways. Liang removing part of her face to reveal machinery implies that there's almost no organic parts of her body left. Biography Edit. Directed by Oliver Thomas. Upon completion, Yan consumes a bowl of coal, activating her machine body and allowing her to transform into a robotic Huli Jing.

Through Liang’s skill, he produces a brand new body for Yan, one that would allow her to hunt. Title Drop: "Good hunting, Yan." Anime MV アニメ MAD: Short animated story - "Love, Death & Robots" episode 8 by netflix Music: Blue Foundation - Bonfires (The Ninetys Remix) … Yan through the use of her new body can transform into her Huli Jing form and hunt freely in the city of Hong Kong. Wishing her a “Good Hunting,” Liang watches as Yan … Liang smiled saying to his wife "Good hunting, my love".

Yan's mother is splashed with urine by (male) hunters and trapped in a half fox, half-human form. An example of this fragmenting gaze appears early in Netflix's "Good Hunting".